On 3/15, Cathy O’Dowd, the first woman to climb Mount
Everest from both sides, came to campus as a guest speaker. She talked mostly
about her first ascent of Everest in the mid-1990’s when she was part of the
first South African team to ever climb the mountain. The main theme of her talk
was the importance of a strong team and strategies for dealing with
uncooperative team members or difficult situations that might arise during a
project. One of the key steps that her climbing team from South Africa took was
to include the porters in all their key decisions and treat them as equal
members of the team; everyone carried loads and the porters were asked to share
their inputs when there were difficult decisions to make. The porters get paid
for how high they climb; to save money, many teams leave the porters at camp 4,
the final camp before the summit, or sometimes even lower on the mountain.
O’Dowd’s team assured their porters that they could climb to the summit, even
if all of the South Africans were not able to make it. This inclusion and
motivation were key to the team’s success as they faced bad weather and some
frustrating team dynamics.
After the talk, O’Dowd was doing a book signing. I knew that
I probably did not need another book to read—I am currently working through
two—but I had enjoyed her talk so decided I should at least look at the book.
The book was a paperback with a poor-quality cover photo; the colors were not vivid
and the printing was a little off so that in places there were bits of two
images. I soon discovered why the cover was of comparatively poor quality: the
book had been printed in India and was being sold for a mere 300 Rupees. At
this price, I decided I should buy the book. When is the last time you went to
a speaker and bought a signed copy of their book after the event for less than
$5? If the book had been the standard price of $15-25, there would have been
very few sales, so the Indian printing company understandably compromised on
cover quality to meet the necessary price point. This incident follows my
ongoing observation that in India things work well and are cheap, whether or
not they look nice, while in the US things look nice and are expensive, whether
or not they add any value over the cheap Indian alternatives. This includes
sidewalks, soap dispensers, painting, books, sandals, food quality, and a host
of other items I interact with daily.
The next day, I went to the hall manager to ask about
extending my housing on campus for another month. I had been directed to the
hall manager by the academic office, whom I had visited the previous week to
formally extend my project work. I had expected this hall manager meeting to
involve a lengthy explanation of why my project was extended and a thorough
investigation of my paperwork from the academic office. Instead, he instructed
me to simply send an email to the academic office (whom I had already
communicated with in person) stating that I would like to extend my current
housing one month. I sent the email to the academic office and got a response
to the effect of “Thank you for informing us of your housing extension,” as if
I had not talked to them previously about this. This bureaucratic process was
surprisingly easier than I had expected it to be. I am now more confused than I
was before about who is in charge of campus housing. Regardless, I now have my
room on campus until my visa ends in late May.
On the 17th, Shilpa and I traveled to Pune with Professor
Sardeshpande to visit a manufacturer that is going to help build test setups
for our projects that we can run on campus at IIT Bombay. We first went to
Professor Sardeshpande’s home where his wife, who works on solar concentrator
experiments at a government lab in Pune, prepared us a delicious breakfast of
poha, fried gram flour, chutney, and cantaloupe. Poha is quickly becoming one
of my favorite breakfast foods; it is made of puffed rice, turmeric, onion,
coriander, and peanuts. Poha is one of the less spicy Indian dishes; it tastes
nice and is a great break from spicy food every once in a while. We also met
Professor Sardeshpande’s 8-year-old son who beat us down the four floors from
the apartment to the car by racing down the stairs while we rode the elevator
and who tried to surprise his mother by hiding on the floor of the front seat
before she got into the car. In general, my college life is void of interaction
with children—it was nice to get a little reminder of how kids act, as it is
easy to forget.
After our return to Mumbai via Blabla car, a carpool
ride-sharing app, I went to my first rehearsal for the PAF (Performing Arts
Festival). I learned a bit about my role and went back to sleep, as my script
was not quite ready yet. There are three PAFs, each a drama-music-dance collaboration
of students from six hostels. PAF is judged by a panel, who watch the show then
inspect every inch of the set after the performance. By the time I joined the
group for PAF#1, they had already been rehearsing for weeks. I would be playing
two short roles, one as a foreigner named Peter Prasad that had made his home
in India, and the other as “Tourist 2,” whose role is self-explanatory.
On Saturday night, I to PAF rehearsal in the evening and
learned just what PAF is all about—staying up all night to rehearse for many
days in a row. On this night, I was one of the first to leave at around 3:30am
when we finished our run-through of the show. At around 1:00am, a cardboard box
full of parathas and packed with newspaper had been delivered along with a
sugary “juice” drink in a large pot to keep everyone full. In the US, this
late-night food would be cheap pizza and two-liter sodas, not parathas and what
is basically sugar-water. It was interesting to see the after-midnight food of
choice for Indian students working into the wee hours of the night.
The next two days consisted of rehearsing all night and
sleeping away most of the day; the next two nights of rehearsals ran from
around 4:30pm-4:00am and 10:00pm-5:00am. The setup (lighting, sound, sets) for
theatre shows are often running late and get completed at the last minute, but
Indian performances seemed to take it to the next level. In addition to the 30
or so dancers, 10 actors (each with a voice-over), and 10 musicians, there were
over 60 people on the production crew who were in charge of building the
incredibly elaborate sets. Operations often run less efficiently when there is
a huge group of people, and the PAF rehearsals were no exception. It seemed
like there were always too many things going on to gather everyone together for
a run-through or announcements.
Finally the day of the performance had come, and the stage
was still many hours from being completed. We had planned to do a full
run-through of the show in the afternoon before the 8:30pm performance, but
there was no time, as the production crew was frantically finishing the
decorations. The OAT (Open Air Theatre), which seats around 500 people, was
close to full for the performance. I will attach a link to the video of the
performance once it is uploaded to YouTube. It was thrilling to be on stage—the
lights, the audience, the beautiful sets. I participated in a staged reading of
a new musical in December 2015, but since that time have not been on stage,
other than for band concerts. The other actors I was working with in my scenes
were great, and we performed very well. My scenes flew by—I barely remember
being on stage, just the moments before my lines began and the moment I was
walking off stage. After climbing off the stage following my final scene, I got
to go and watch the remainder of the performance from the audience. It came
together nicely; everyone performed well, especially our dancers. The audience
added the reactionary element to the show that we had never had during
rehearsal. I joined the dancers and the rest of the actors out in front of the
stage for the final dance. I am very glad that I was given the opportunity to
perform in the PAF and am anxious to see the video once it is posted.
At the risk of further increasing my blog writing deficit, I
will conclude this post here. More coming soon.
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The streets are still colored a few days after Holi |
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Washington apples (or at least their boxes) in Mumbai |
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OAT (Open Air Theatre) |
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OAT stage |
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PAF flyer |
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Stage crew working on the PAF sets |
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Artwork near the OAT |
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2 hours before PAF begins |
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Artwork near OAT |
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PAF tradition has the production crew destroy the sets immediately after the show |
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